
Another something a little different. You’re supposed to at least see the subject’s head/face in wildlife photography, let alone a “catchlight” in the eye (at least one of them). A pic of a tail probably isn’t, um, traditionally considered a successful pic? π
Just call me a photography rebel!
And let me know if something, anything, about this pic appeals to you … or not!?
(For photography nerds, this pic is nearly exactly as it came out of the camera. I cropped out a bit of the extraneous (?) darkness, and I applied some “sharpening,” and that’s it.)
Love itβ¦..rebel to rebelwww.gigigaulin.com
π Love your metal sculptures!
πwww.gigigaulin.com
Breathtaking! Stunning!!
Glad you like it, Karen. π (Good luck with your sx today!)
Very different picture! Would make a really really hard puzzle!
No kidding! Ha! π
This is a fascinating photo, TJ. And otherworldly. I love the light, especially the illumination on that beautiful tail. And that’s also a well-sculpted mustang rump. π “Photography rebel” indeed! Such a fun picture.
Sometimes my favorite pix are the ones I don’t even know at the time that I’ve caught. π It wasn’t really that dark down in the mid-level of the arroyo, but I love everything about that pic (except that there’s a shrub with bare branches right there!). π
What I love about this picture is the dynamic sense of movement we see – and feel! Unique and powerful! Bravo π
So glad you like it, Carol! π
The light first and them fluidityβ¦lovely
There’s really something about the movement, eh? And the dust she left behind. … Ghostly mustang!
It’s a beautiful photograph TJ, it reminds me a bit of the way Rembrandt used light in his paintings π
I knew there was a reason I liked it! π